ALCHIMIE_DISCURSIVE_OU_NÉCRO_ÉTHIQUE<>? _THÉORIE_DU_DRONE







« On peut y voir l’aboutissement d’un désir ancien, qui anime toute l’histoire des armes balistiques : accroître son allonge de sorte de pouvoir atteindre l’ennemi à distance, avant que celui-ci ne soit en mesure de le faire. Mais la spécificité du drone tient à ce qu’il joue sur un autre segment de distance. Entre la gâchette, sur laquelle on a le doigt, et le canon, d’où la balle va sortir, s’intercalent désormais des milliers de kilomètres. A la distance de la portée – distance de l’arme à sa cible – s’ajoute celle de la télécommande – distance de l’opérateur à son arme ». (p. 23)

« Cette tentative d’éradication de toute réciprocité dans l’exposition à la violence dans l’hostilité reconfigure non seulement la conduite matérielle de la violence armée, techniquement, tactiquement, psychiquement, mais aussi les principes traditionnels d’un ethos militaire officiellement fondé sur la bravoure et l’esprit de sacrifice. À l’aune des catégories classiques, le drone apparaît comme l’arme du lâche ». (p. 30)


« Cela n’empêche pas ses partisans de la proclamer être l’arme la plus éthique que l’humanité ait jamais connue. Opérer cette conversion morale, cette transmutation des valeurs est la tâche à laquelle s’attellent aujourd’hui des philosophes qui oeuvrent dans le petit champ de l’éthique militaire. Le drone, disent-ils, est l’arme humanitaire par excellence. Leur travail discursif est essentiel pour assurer l’acceptabilité sociale et politique de cette arme. Dans ces discours de légitimation, les « éléments de langage » de marchands d’armes et de porte-parole des forces armées se trouvent recyclés, par de grossiers processus d’alchimie discursive, en principes directeurs d’une philosophie éthique de nouveau genre – une « nécro-éthique », dont il est urgent de faire la critique ». (pp. 30-31)

IMAGES : 

« The Magician », Martin Sharp Tarot (1967)
« The Queen of Swords », Hexen 2.0 Tarot de Suzanne Treister (2009-2011)
« The flow of energy through a system acts to organise that system », Whole Earth Catalog, Stewart Brand et al., citation de Norbert Wiener (1968)
« Untitled (p. 180) », Brion Gysin,  William S. Burroughs, (circa 1965)

TEXT :

Grégoire Chamayou, Théorie du drone, Paris : La Fabrique (2013)

ECUSSONS :

Les écussons de l'USAF Pararescue et de l'USAF MQ-9 Reaper drone (la faucheuse)




EVERY_MONAD_CONTAINS_ALL_THE_OTHERS


















_THE_IDEA_IS_A_MONAD_THE_BEING_THAT_ENTERS_INTO_IT_WITH_ITS_PAST_AND_SUBSEQUENT_HISTROY_BRINGS—CONCEALED_IN_ITS_OWN_FORM—AN_INDISTINCT_ABBREVIATION_ON_THE_REST_OF_THE_WORLD_OF_IDEAS_JUST_AS_ACCORDING_TO_LIEBNIZ'S_DISCOURSE_ON_METAPHYSICS_(1686)_EVERY_SINGLE_MONAD_CONTAINS—IN_AN_INDISTINCT_WAY—ALL_THE_OTHERS_






Walter Benjamin, from the « Epistemo-Critical Prologue » of Origin of German Tragic Drama, Verso (1998)

GIF BY MARIA ZAHLE @ AKERMAN DALY @ http://akermandaly.com/

JOS_6_OLIS_9_EIJA_LIISA_AHTILA











THE_MIND_ATTACHED_BY_AN_ELASTIC_CORD _TO_THE_VAGRANT_SENSES : HOLDER_&_TIMOFEEV









“These predicates are only negatively conceivable, and are approached only by abstracting from all positive predicates. Dionysius states that God’s being is ‘presubstantial’ and absolutely unattainable for man. Thus an ironic situation presents itself, in which the worshipper must praise without being able to do so, must shout without knowing what to shout, and must speak without a voice. In this text, the pious dilemma does not end in mystical silence but in the acknowledgement that every act of naming is ambiguous.”

Gershom Scholem on divine predicates and Dionysius the Areopagite.

"I assume that the reader is familiar with the idea of extra-sensory perception, and the meaning of the four items of it, viz. telepathy, clairvoyance, precognition and psycho-kinesis. These disturbing phenomena seem to deny all our usual scientific ideas. How we should like to discredit them! Unfortunately the statistical evidence, at least for telepathy, is overwhelming. It is very difficult to rearrange one’s ideas so as to fit these new facts in. Once one has accepted them it does not seem a very big step to believe in ghosts and bogies. The idea that our bodies move simply according to the known laws of physics, together with some others not yet discovered but somewhat similar, would be one of the first to go. [...] With E.S.P. anything may happen."


Alan Turing on E.S.P. « Computing Machinery and Intelligence », Mind, 1950

"Apparently that kind of ordering which is the most irrepressible among the artistic powers, is awakened most urgently by two different inner states: by the consciousness of overabundance and by the full collapse in a person: which gives rise to yet another overabundance."

Rainer Maria Rilke on Adolf Wölfli, after the case study by the doctor Morgenthaler.

"The visions were not blurred or uncertain. They were sharply focused, the lines and colours being so sharp that they seemed more real to me than anything I had ever seen with my own eyes. I felt that I was now seeing plain, whereas ordinary vision gives us an imperfect view; I was seeing the archetypes, the Plantonic ideas, that underlie the imperfect images of everyday life.
.. for the effect of the mushrooms is to bring about a fissure of the spirit, a split in the person, a kind of schizophrenia, with the rational side continuing to reason and to observe the sensations that the other side is enjoying. The mind is attached as by an elastic cord to the vagrant senses."


R. Gordon Wasson, on his second mushroom experience in Mexico, (Seeking the Magic Mushroom)


JOEY HOLDER AND VIKTOR TIMOFEEV
« LAMENT OF UR » @ KARST, UK






ADRIAN_PIPER_ALL_BEGIN_TO_MOVE_BREATHE_VIBRATE _BREAK_UP_AND_FALL_AWAY_(GOOD_STUDS_ARE_A_DIME_A_DOZEN)



On painting after dropping acid: “The paintings are very much about what it was like for me to go beyond the surfaces of things – to concentrate so intently on the fine detail and structure of a meditational object – on any object, really, any perceptual reality – that all of its surface, sensory qualities, its conventional meanings and uses, its psychological associations and conceptual significance, all begin to move, breathe, vibrate, break up and fall away. That’s when you start to realise how much of ‘ordinary’ reality is nothing more than a subjective mental construct.” 

On Conceptual Art and Psychedelia : “Here’s how the continuum looks to me: Realism depicts the objects of ordinary conventional reality; Impressionism depicts the perceptual qualities of those objects broken up into light and colour; Pointillism depicts the perceptual and formal qualities of these objects broken up even further into colour and minutely small forms; Psychedelia depicts the cracking open of all of those perceptual and formal qualities; Minimalism expresses the underlying geometric essences behind those objects and their qualities; Pop Art depicts those objects shorn of the conventional conceptual that give them meaning; Conceptual Art expresses the breaking up and reconstitution of those conventional conceptual schemes and the objects (and subjects) embedded in them. At least that’s the continuum within which I’d place my own psychedelic work. For me the transition from psychedelic painting to Minimalism to Conceptual Art was a very straight road to walk.”



Adrian Piper Vanilla Nightmares #9, 1986. Charcoal on New York Times page, 22 x 27.5 in.


Adrian Piper Village Voice Ad No. 12, Published 8/29/1974. 


Adrian Piper, My Calling (Card) No.1 (1986-Present)



IT_IS_THE_L.V.X._TRANSCENDING_REASON_AND_NOT_THE_LIGHT_OF_REASON_OR_THE_DARKNESS_OF_UNREASON_





cover of KONXOMPAX 
designed by Aleister Crowley
published 1907


The light wherein I write is not the light of reason; it is not the darkness of unreason; it is the L.V.X. of that which, first mastering and then transcending the reason, illumines all the darkness caused by the interference of the opposite waves of thought; not by destroying their balance, and thereby showing a false and partial light, but by overleaping their limitations.



LIBER
AL VEL
LEGIS 


27. Then the priest answered & said unto the Queen of Space, kissing her lovely brows, and the dew of her light bathing his whole body in a sweet-smelling perfume of sweat: O Nuit, continuous one of Heaven, let it be ever thus; that men speak not of Thee as One but as None; and let them speak not of thee at all, since thou art continuous!

°

29. For I am divided for love’s sake, for the chance of union.

•

39. The word of the Law is Θελημα.

40. Who calls us Thelemites will do no wrong, if he look but close into the word. For there are therein Three Grades, the Hermit, and the Lover, and the man of Earth. Do what thou wilt shall be the whole of the Law.

•

65. To me! To me!

°

7. I am the Magician and the Exorcist. I am the axle of the wheel, and the cube in the circle. « Come unto me » is a foolish word: for it is I that go.

•

27. There is great danger in me; for who doth not understand these runes shall make a great miss. He shall fall down into the pit called Because, and there he shall perish with the dogs of Reason.
28. Now a curse upon Because and his kin!
29. May Because be accursèd for ever!
30. If Will stops and cries Why, invoking Because, then Will stops & does nought.
31. If Power asks why, then is Power weakness.
32. Also reason is a lie; for there is a factor infinite & unknown; & all their words are skew-wise.
33. Enough of Because! Be he damned for a dog!

°

51. Purple beyond purple: it is the light higher than eyesight.

•

4. Choose ye an island!
5. Fortify it!
6. Dung it about with enginery of war!
7. I will give you a war-engine.

•




It is by freeing the mind from external influences, whether casual or emotional, that it obtains power to see somewhat of the truth of things.

º

Let us, however, continue our practice. Let us determine to be masters of our minds. We shall then soon find what conditions are favourable.

There will be no need to persuade ourselves at great length that all external influences are likely to be unfavourable. New faces, new scenes will disturb us; even the new habits of life which we undertake for this very purpose of controlling the mind will at first tend to upset it. Still, we must give up our habit of eating too much, and follow the natural rule of only eating when we are hungry, listening to the interior voice which tells us that we have had enough.

The same rule applies to sleep. We have determined to control our minds, and so our time for meditation must take precedence of other hours.

•

Memories of the events of the day will bother us; we must arrange our day so that it is absolutely uneventful. Our minds will recall to us our hopes and fears, our loves and hates, our ambitions, our envies, and many other emotions. All these must be cut off. We must have absolutely no interest in life but that of quieting our minds.

°

Finally something happens whose nature may form the subject of a further discussion later on. For the moment let it suffice to say that this consciousness of the Ego and the non-Ego, the seer and the thing seen, the knower and the thing known, is blotted out.

There is usually an intense light, an intense sound, and a feeling of such overwhelming bliss that the resources of language have been exhausted again and again in the attempt to describe it.

It is an absolute knock-out blow to the mind. It is so vivid and tremendous that those who experience it are in the gravest danger of losing all sense of proportion.

By its light all other events of life are as darkness. Owing to this, people have utterly failed to analyse it or to estimate it. They are accurate enough in saying that, compared with this, all human life is absolutely dross; but they go further, and go wrong. They argue that "since this is that which transcends the terrestrial, it must be celestial." One of the tendencies in their minds has been the hope of a heaven such as their parents and teachers have described, or such as they have themselves pictured; and, without the slightest grounds for saying so, they make the assumption "This is That."






1. Sit in a chair; head up, back straight, knees together, hands on knees, eyes closed. ("The God.")
2. Kneel; buttocks resting on the heels, toes turned back, back and head straight, hands on thighs. ("The Dragon.")
3. Stand; hold left ankle with right hand (and alternately practise right ankle in left hand, etc.), free forefinger on lips. ("The Ibis.")
4. Sit; left heel pressing up anus, right foot poised on its toes, the heel covering the phallus; arms stretched out over the knees: head and back straight. ("The Thunderbolt.")





FUNCTIONS_SO_SOMETHING_CAN_FUNCTION_AND_BECAUSE_SOMETHING_ELSE_FUNCTIONS_









Inger Christensen's It (Det), published by New Directions, translation Susanna Nied.

Suzanne Treister's  Hexen 2039 published by Black Dog, London


WAYS OF LOOKING_THE ONEIRIC CITY_



THE OBJECT_WORLD BECOME BEARER OF CONSPIRACY_THE EXISTENTIAL FURNITURE OF DAILY LIFE FINDS ITSELF SLOWLY TRANSFORMED INTO COMMUNICATIONS TECHNOLOGY_THE LOCAL ITEMS OF THE PRESENT AND THE HERE_AND_NOW CAN BE MADE TO EXPRESS AND TO DESIGNATE THE ABSENT UNREPRESENTABLE TOTALITY_INSTRUMENTS OF COMMUNICATION_THE SURREALIST ONEIRIC CITY_BRUSHING AGAINST AN INANIMATE OBJECT SUDDENLY FEELS LIKE BEING TOUCHED BY SOMEONE'S HAND_PLANTS BECOME MACHINES_EVERY OBJECT CHANGES AND BECOMES A HUMAN SIGN_THOUGH SHE KNEW EVEN LESS ABOUT RADIOS THAN ABOUT SOUTHERN CALIFORNIA THERE WERE TO BOTH OUTWARD PATTERNS A HIEROGLYPHIC SENSE OF CONCEALED MEANING_OF AN INTENT TO COMMUNICATE_TWO INCOMMENSURABLE LEVELS OF BEING IMPOSSIBLY INTERSECT_SOME LARGER VIRTUAL NIGHTMARE_THAT OF THE LATE 60S GONE TOXIC_THE DRUG AND SCHIZOPHRENIC COUNTER_CULTURAL BAD TRIP_PSYCHIC FRAGMENTATION RAISED TO A QUALITATIVELY NEW POWER_THE STRUCTURAL DISTRACTION OF THE DECENTERED SUBJECT NOW PROMOTED TO THE VERY EXISTENTIAL LOGIC OF LATE CAPITALISM_

[EXTRACTS FROM FREDRIC JAMESON'S THE GEOPOLITICAL AESTHETIC AND ONE FROM THOMAS PYNCHON'S VINELAND ]